Telescoping
My Lament for Flute and Piano was inspired by the stylistic innovations of early Baroque opera. The composers in this
Read MoreMy Lament for Flute and Piano was inspired by the stylistic innovations of early Baroque opera. The composers in this
Read MoreProbably most composers have experienced major setbacks and disappointments in their careers, and I am certainly no exception. Recovering from
Read MoreThe image is from the program to a recital I gave in November 1990 in Atlanta, where I lived then.
Read MoreMy Lament for Flute and Piano was inspired by early Baroque opera and by the ideas of the Florentine Camerata
Read MoreThe cycle of musical creation is not complete without the performer, and the ideal performer is typically someone other than
Read MoreIn 1984, I was directing a small amateur mixed chorus in Atlanta, Georgia. Wanting to take advantage of the opportunity
Read MoreAs an undergraduate at Duke University (1966-1970), I had the good fortune of studying with two outstanding performers, pianist Loren
Read MoreOn two occasions during my musical career I have journeyed to the snowy hinterlands of Minnesota to give recitals. My
Read MoreIn a previous blog post, I shared some advice I have offered in response to queries from young composers. As
Read MoreOur Western tonal system is based on 12 pitch classes, in which seven of the pitch classes are given more
Read MoreThe finale of my Sonata for Oboe and Piano is a playful, energetic rondo in D minor, where the predominantly
Read MoreMarch 21, 1985 was the tricentennial of the birth of Johann Sebastian Bach. On that day I completed my Adagio
Read MoreIn the fall of 1992, having recently completed my Piano Sonata No. 4, I played a series of three recitals,
Read MoreIn recent years I have received several inquiries from young composers or would-be composers, asking me: “How do you compose?”
Read MoreThe Academic Papers section of my website includes a PDF scan of a paper that I delivered at the Music
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