My Aesthetic Goals in the Piano Quartet
My Piano Quartet was composed in the fall of 1993, as part of my work toward an M.M. degree in
Read MoreMy Piano Quartet was composed in the fall of 1993, as part of my work toward an M.M. degree in
Read MoreOver the last three posts to this blog (Part 1, Part 2, and Part 3), I have been describing the
Read MoreMy last two blog posts (Part 1 and Part 2 of this series) have been describing the process by which I
Read MoreIn Part 1 of this series, I began to describe the process by which I composed my Nocturne No. 2
Read MoreMy composing involves a blend of musical intuition and analytical judgment. Melody is central to my music, and typically I
Read MoreModern technology is a blessing for modern composers. It enables us to create and disseminate professional-quality scores with little or
Read MoreIn all my large-scale compositions, one of my primary aesthetic goals has been to create a unified art-work. That applies
Read More“Without craftsmanship, inspiration is a mere reed shaken in the wind.” –Johannes Brahms A young acquaintance of mine informed me
Read MoreThe cycle of musical creation is not complete without the performer, and the ideal performer is typically someone other than
Read MoreIn a previous blog post, I shared some advice I have offered in response to queries from young composers. As
Read MoreIn recent years I have received several inquiries from young composers or would-be composers, asking me: “How do you compose?”
Read MoreThe violin was the first instrument I studied formally, and I took my first lessons around the time of my
Read MoreSergei Rachmaninoff is widely recognized as one of the finest of all pianists, with technical and interpretative powers of the
Read MoreThe popular film Amadeus, based on a stage play of the same name, depicts Wolfgang Amadeus Mozart from the vantage
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