Works by Robert Cunningham

Time Travel in Music: Rounds and Fugues

Our last two blog posts looked at how two or more distinct melodies can be juxtaposed in counterpoint. But it

We saw in the last blog post how the melody “Puff the Magic Dragon” fits neatly in counterpoint with the

Most tonal pieces start in the “home key” — the “tonic,” as musicians call it — and return to it

I related the “Seven Plus or Minus Two” principle to pitches and harmonic centers in an earlier post to this