The Homecoming
This program is from a recital I gave at Meredith College in Raleigh, NC in October 1992. The event was
Read MoreThis program is from a recital I gave at Meredith College in Raleigh, NC in October 1992. The event was
Read MoreThe original version of my Piano Sonata No. 3, composed in 1987, was the last significant work for which I
Read MoreTo say that music is a language is not just a metaphor. Music has syntactical structures very akin to those
Read MoreBelow is the program for a concert I gave in Atlanta, GA on September 5, 1986. It was, by design,
Read MoreIn the archetypical classical sonata-allegro movement, the exposition moves from tonic to dominant (often via the mediant). The development is
Read MoreMy Piano Sonata No. 4 is a single-movement work, a little over 26 minutes in length, in sonata-allegro form. Within
Read More1. Within my Nine Preludes for Piano Solo, Prelude No. 7 is symmetrically opposite the other scherzo-like prelude, No. 3,
Read MoreIn high school, I was the quintessential nerd, known chiefly as the school math whiz and as an intense chess
Read MoreThe Circle of Fifths is usually used to illustrate the keys associated with key signatures, with increasing numbers of
Read MoreThe romance genre is by nature lyrical, and the two themes in my Romance for Oboe and Piano both fit
Read MoreThe violin was the first instrument I studied formally, and I took my first lessons around the time of my
Read MoreIf you are a serious pianist who practices regularly, then hours after your practice session has ended, it is likely
Read MoreThe newspaper clipping (at left below), which I believe is from the Raleigh News and Observer, dates from my senior
Read MoreDuring my early years as a composer, I put on quite a few musical soirées, and one of the most
Read MoreMany of my listeners are familiar by now with my two piano nocturnes, both of which can be heard on
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